
{"id":798,"date":"2016-11-17T21:42:00","date_gmt":"2016-11-17T21:42:00","guid":{"rendered":"https:\/\/www.krammer.nl\/blog\/en\/?p=798"},"modified":"2018-11-23T19:34:48","modified_gmt":"2018-11-23T19:34:48","slug":"four-fourth-time","status":"publish","type":"post","link":"https:\/\/www.krammer.nl\/blog\/en\/four-fourth-time\/","title":{"rendered":"Four-Four Time"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-2895\" src=\"https:\/\/www.krammer.nl\/blog\/wp-content\/uploads\/vier-vierden.jpg\" alt=\"vier-vierden\" width=\"150\" height=\"150\" \/>The time signature used most often in pop and jazz is four-four time. But in writing music, musicians often choose the note values in a bad way, so the backbeat isn&#8217;t right. According to drummers, the backbeat consists of the accents on the second and fourth beat of a four-four bar. If you notate a piece of music, you should choose your note values in such a way that the second and fourth beat coincide with the backbeat.<\/p>\n<p>Let&#8217;s have a look at a couple of songs from recent years. First, <em>Uptown funk<\/em> by Mark Ronson. Sometimes this song is written down in the following way:<\/p>\n<p><a href=\"https:\/\/www.krammer.nl\/blog\/wp-content\/uploads\/Vierkwartsmaat-uptown-funk-2-2.png\" data-gallery><img decoding=\"async\" class=\"aligncenter size-large wp-image-2922\" src=\"https:\/\/www.krammer.nl\/blog\/wp-content\/uploads\/Vierkwartsmaat-uptown-funk-2-2-1024x121.png\" alt=\"vierkwartsmaat-uptown-funk-2-2\" width=\"550\" \/><\/a><\/p>\n<p>In the way the notes are notated here, the  (from the original recording) doesn&#8217;t sound on two and four. Instead, in each bar there is only one backbeat, on three. Thus, all notes are notated two times too large. The right way to notate the piece, is using sixteenth notes:<\/p>\n<p><a href=\"https:\/\/www.krammer.nl\/blog\/wp-content\/uploads\/Vierkwartsmaat-uptown-funk-1-2.png\" data-gallery><img decoding=\"async\" class=\"aligncenter size-large wp-image-2921\" src=\"https:\/\/www.krammer.nl\/blog\/wp-content\/uploads\/Vierkwartsmaat-uptown-funk-1-2-1024x123.png\" alt=\"vierkwartsmaat-uptown-funk-1-2\" width=\"550\" \/><\/a><\/p>\n<p>Let&#8217;s have a look at another example from a more mainstream pop style: <em>Send my love<\/em> by Adele. Her notes are like this:<\/p>\n<p><a href=\"https:\/\/www.krammer.nl\/blog\/wp-content\/uploads\/Vierkwartsmaat-send-my-love-2-2.png\" data-gallery><img decoding=\"async\" class=\"aligncenter size-large wp-image-2919\" src=\"https:\/\/www.krammer.nl\/blog\/wp-content\/uploads\/Vierkwartsmaat-send-my-love-2-2-1024x127.png\" alt=\"vierkwartsmaat-send-my-love-2-2\" width=\"550\" \/><\/a><\/p>\n<p>In song books you might encounter the following version, in which all notes are made twice as long and the backbeat is on the third beat:<\/p>\n<p><a href=\"https:\/\/www.krammer.nl\/blog\/wp-content\/uploads\/Vierkwartsmaat-send-my-love-1-2.png\" data-gallery><img decoding=\"async\" class=\"aligncenter size-large wp-image-2918\" src=\"https:\/\/www.krammer.nl\/blog\/wp-content\/uploads\/Vierkwartsmaat-send-my-love-1-2-1024x133.png\" alt=\"vierkwartsmaat-send-my-love-1-2\" width=\"550\" \/><\/a><\/p>\n<p>In some cases, two-two time is used instead of four-four time, in which the notes have double length:<\/p>\n<p><a href=\"https:\/\/www.krammer.nl\/blog\/wp-content\/uploads\/Vierkwartsmaat-send-my-love-3-2.png\" data-gallery><img decoding=\"async\" class=\"aligncenter size-large wp-image-2920\" src=\"https:\/\/www.krammer.nl\/blog\/wp-content\/uploads\/Vierkwartsmaat-send-my-love-3-2-1024x123.png\" alt=\"vierkwartsmaat-send-my-love-3-2\" width=\"550\" \/><\/a><\/p>\n<p>In certain way, this notation is more correct than the first. In this case, the beat of the time signatures corresponds to the natural pulse in the music. But still the backbeat is not on the right spot. Furthermore, the length of the notes don&#8217;t look right and in reading the music you might make mistakes easily.<\/p>\n<p>The mistake described above is quite common. Sometimes the opposite occurs, in which the notes in the score are notated using too small values. On the internet I came across the following version of <em>Hold back the river<\/em> by James Bay:<\/p>\n<p><a href=\"https:\/\/www.krammer.nl\/blog\/wp-content\/uploads\/Vierkwartsmaat-hold-back-the-river-1-2.png\" data-gallery><img decoding=\"async\" class=\"aligncenter size-large wp-image-2916\" src=\"https:\/\/www.krammer.nl\/blog\/wp-content\/uploads\/Vierkwartsmaat-hold-back-the-river-1-2-1024x131.png\" alt=\"vierkwartsmaat-hold-back-the-river-1-2\" width=\"550\" \/><\/a><\/p>\n<p>However, the tempo of the song is fast. And this high tempo is creating the nice drive in the song. Therefore, the right version is:<\/p>\n<p><a href=\"https:\/\/www.krammer.nl\/blog\/wp-content\/uploads\/Vierkwartsmaat-hold-back-the-river-2-2.png\" data-gallery><img decoding=\"async\" class=\"aligncenter size-large wp-image-2917\" src=\"https:\/\/www.krammer.nl\/blog\/wp-content\/uploads\/Vierkwartsmaat-hold-back-the-river-2-2-1024x125.png\" alt=\"vierkwartsmaat-hold-back-the-river-2-2\" width=\"550\" \/><\/a><\/p>\n\n<script>\nvar zbPregResult = '0';\n<\/script>\n","protected":false},"excerpt":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-2895\" src=\"https:\/\/www.krammer.nl\/blog\/wp-content\/uploads\/vier-vierden.jpg\" alt=\"vier-vierden\" width=\"150\" height=\"150\" \/>The time signature used most often in pop and jazz is four-four time. But in writing music, musicians often choose the note values in a bad way, so the backbeat isn&#8217;t right. According to drummers, the backbeat consists of the accents on the second and fourth beat of a four-four time. If you notate a piece of music, you should choose your notes in such a way that the second and fourth beat coincide with the backbeat.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[],"class_list":["post-798","post","type-post","status-publish","format-standard","hentry","category-8-arranging"],"_links":{"self":[{"href":"https:\/\/www.krammer.nl\/blog\/en\/wp-json\/wp\/v2\/posts\/798","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.krammer.nl\/blog\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.krammer.nl\/blog\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.krammer.nl\/blog\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.krammer.nl\/blog\/en\/wp-json\/wp\/v2\/comments?post=798"}],"version-history":[{"count":19,"href":"https:\/\/www.krammer.nl\/blog\/en\/wp-json\/wp\/v2\/posts\/798\/revisions"}],"predecessor-version":[{"id":866,"href":"https:\/\/www.krammer.nl\/blog\/en\/wp-json\/wp\/v2\/posts\/798\/revisions\/866"}],"wp:attachment":[{"href":"https:\/\/www.krammer.nl\/blog\/en\/wp-json\/wp\/v2\/media?parent=798"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.krammer.nl\/blog\/en\/wp-json\/wp\/v2\/categories?post=798"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.krammer.nl\/blog\/en\/wp-json\/wp\/v2\/tags?post=798"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}