
{"id":909,"date":"2016-11-04T22:10:53","date_gmt":"2016-11-04T22:10:53","guid":{"rendered":"https:\/\/www.krammer.nl\/blog\/en\/?p=909"},"modified":"2018-11-23T22:31:16","modified_gmt":"2018-11-23T22:31:16","slug":"music-paper-for-arranging","status":"publish","type":"post","link":"https:\/\/www.krammer.nl\/blog\/en\/music-paper-for-arranging\/","title":{"rendered":"Music Paper for Arranging"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-thumbnail wp-image-2749\" src=\"https:\/\/www.krammer.nl\/blog\/wp-content\/uploads\/muziekpapier-2-150x150.gif\" alt=\"muziekpapier-2\" width=\"150\" height=\"150\" \/>Most arrangers that I know, use music notation software like Sibelius or Finale, to make scores look nice. But most of the writing we tend to do at the piano. (At least, I hope so, because arranging behind the computer is a bad habbit.) Thus, writing for choir starts on paper.<\/p>\n<p>If you&#8217;re writing for choir regularly, it&#8217;s handy to have music paper on which the voicing is printed on forehand. For that purpose, I created music paper for the different voicings. For a cappella arranging, I made versions for <small>SATB<\/small>, <small>SSAA<\/small> and <small>SSATB<\/small>. For choir with accompaniment, I created versions for <small>SATB<\/small> with piano and koor (two staffs) with piano.<\/p>\n<p>For all five of these I made versions with and without barlines. Sometimes it&#8217;s practical to have a subdivision in four bars per system. But in other situations you want a different number of measures per system, for example, when you need more space in each bar.<\/p>\n<p>Below you may choose the music paper you need.<\/p>\n<h4>A cappella<\/h4>\n<p><a href=\"https:\/\/www.krammer.nl\/blog\/wp-content\/uploads\/Music-paper-SATB-with-barlines.pdf\">Music paper &#8211; <small>SATB<\/small> &#8211; with barlines<\/a><br \/>\n<a href=\"https:\/\/www.krammer.nl\/blog\/wp-content\/uploads\/Music-paper-SATB-without-barlines.pdf\">Music paper &#8211; <small>SATB<\/small> &#8211; without barlines<\/a><\/p>\n<p><a href=\"https:\/\/www.krammer.nl\/blog\/wp-content\/uploads\/Music-paper-SSATB-with-barlines.pdf\">Music paper &#8211; <small>SSATB<\/small> &#8211; with barlines<\/a><br \/>\n<a href=\"https:\/\/www.krammer.nl\/blog\/wp-content\/uploads\/Music-paper-SSATB-without-barlines.pdf\">Music paper &#8211; <small>SSATB<\/small> &#8211; without barlines<\/a><\/p>\n<p><a href=\"https:\/\/www.krammer.nl\/blog\/wp-content\/uploads\/Music-paper-SSAA-with-barlines.pdf\">Music paper &#8211; <small>SSAA<\/small> &#8211; with barlines<\/a><br \/>\n<a href=\"https:\/\/www.krammer.nl\/blog\/wp-content\/uploads\/Music-paper-SSAA-without-barlines.pdf\">Music paper &#8211; <small>SSAA<\/small> &#8211; without barlines<\/a><\/p>\n<h4>With piano<\/h4>\n<p><a href=\"https:\/\/www.krammer.nl\/blog\/wp-content\/uploads\/Music-paper-SATB-piano-with-barlines.pdf\">Music paper &#8211; <small>SATB<\/small> plus piano &#8211; with barlines<\/a><br \/>\n<a href=\"https:\/\/www.krammer.nl\/blog\/wp-content\/uploads\/Music-paper-SATB-piano-without-barlines.pdf\">Music paper &#8211; <small>SATB<\/small> plus piano &#8211; without barlines<\/a><\/p>\n<p><a href=\"https:\/\/www.krammer.nl\/blog\/wp-content\/uploads\/Music-paper-choir-piano-with-barlines.pdf\">Music paper &#8211; choir plus piano &#8211; with barlines<\/a><br \/>\n<a href=\"https:\/\/www.krammer.nl\/blog\/wp-content\/uploads\/Music-paper-choir-piano-without-barlines.pdf\">Music paper &#8211; choir plus piano &#8211; with barlines<\/a><\/p>\n\n<script>\nvar zbPregResult = '0';\n<\/script>\n","protected":false},"excerpt":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-thumbnail wp-image-2749\" src=\"https:\/\/www.krammer.nl\/blog\/wp-content\/uploads\/muziekpapier-2-150x150.gif\" alt=\"muziekpapier-2\" width=\"150\" height=\"150\" \/>Most arrangers that I know, use music notation software like Sibelius or Finale, to make scores look nice. But most of the writing we tend to do at the piano. (At least, I hope so, because arranging behind the computer is a bad habbit.) Thus, writing for choir starts on paper.<\/p>\n<p>If you&#8217;re writing for choir regularly, it&#8217;s handy to have music paper on which the voicing is printed on forehand. For that purpose, I created music paper for the different voicings.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[],"class_list":["post-909","post","type-post","status-publish","format-standard","hentry","category-8-arranging"],"_links":{"self":[{"href":"https:\/\/www.krammer.nl\/blog\/en\/wp-json\/wp\/v2\/posts\/909","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.krammer.nl\/blog\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.krammer.nl\/blog\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.krammer.nl\/blog\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.krammer.nl\/blog\/en\/wp-json\/wp\/v2\/comments?post=909"}],"version-history":[{"count":12,"href":"https:\/\/www.krammer.nl\/blog\/en\/wp-json\/wp\/v2\/posts\/909\/revisions"}],"predecessor-version":[{"id":921,"href":"https:\/\/www.krammer.nl\/blog\/en\/wp-json\/wp\/v2\/posts\/909\/revisions\/921"}],"wp:attachment":[{"href":"https:\/\/www.krammer.nl\/blog\/en\/wp-json\/wp\/v2\/media?parent=909"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.krammer.nl\/blog\/en\/wp-json\/wp\/v2\/categories?post=909"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.krammer.nl\/blog\/en\/wp-json\/wp\/v2\/tags?post=909"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}