{"id":2304,"date":"2014-04-14T14:10:11","date_gmt":"2014-04-14T12:10:11","guid":{"rendered":"http:\/\/www.krammer.nl\/blog\/?p=2304"},"modified":"2021-03-09T21:58:04","modified_gmt":"2021-03-09T20:58:04","slug":"reharmonisatie-ii","status":"publish","type":"post","link":"https:\/\/www.krammer.nl\/blog\/reharmonisatie-ii\/","title":{"rendered":"Reharmonisatie II"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-2329\" src=\"https:\/\/www.krammer.nl\/blog\/wp-content\/uploads\/Slingers-346.jpg\" alt=\"Slingers-346\" width=\"150\" height=\"150\" srcset=\"https:\/\/www.krammer.nl\/blog\/wp-content\/uploads\/Slingers-346.jpg 346w, https:\/\/www.krammer.nl\/blog\/wp-content\/uploads\/Slingers-346-150x150.jpg 150w, https:\/\/www.krammer.nl\/blog\/wp-content\/uploads\/Slingers-346-300x300.jpg 300w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/>Een tijd geleden heb ik een bericht geplaatst over reharmonisatie. Dat is het kiezen van alternatieve akkoorden bij het arrangeren van een nummer. In dit bericht laat ik zien hoe je reharmonisatie toe kunt passen op <i>Hallelujah<\/i> van Leonard Cohen. Als je niet bekend bent met het nummer is hier een <a href=\"https:\/\/www.krammer.nl\/blog\/wp-content\/uploads\/Hallelujah-Leadsheet.pdf\">leadsheet<\/a>.<\/p>\n<p>In het <a href=\"https:\/\/www.krammer.nl\/blog\/technieken-voor-reharmoniseren\/\">vorige bericht<\/a> besprak ik zes technieken. Die zes passen we nu ook weer toe.<\/p>\n<p><!-------------------------- TECHNIEK 1 --------------------------><\/p>\n<h4><tt>1<\/tt> Akkoorden rijker maken met toevoegingen<\/h4>\n<p>In plaats van de drieklanken die in de leadsheet staan, schrijven we vier- en vijfklanken:<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-6791\" src=\"https:\/\/www.krammer.nl\/blog\/wp-content\/uploads\/Hallelujah-Reharmoniseren-techniek-1.svg\" alt=\"\" width=\"401\" height=\"177\" \/><\/p>\n<p><!-------------------------- TECHNIEK 2 --------------------------><\/p>\n<h4><tt>2<\/tt> Akkoorden veranderen<\/h4>\n<p>Het akkoord <q>DM<\/q> is vervangen door <q>DMsus4<\/q>:<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-6792\" src=\"https:\/\/www.krammer.nl\/blog\/wp-content\/uploads\/Hallelujah-Reharmoniseren-techniek-2.svg\" alt=\"\" width=\"401\" height=\"175\" \/><\/p>\n<p><!-------------------------- TECHNIEK 3 --------------------------><\/p>\n<h4><tt>3<\/tt> Terug gaan in de kwintencirkel<\/h4>\n<p>Het akkoord <q>C<\/q> is vervangen door <q>A7<\/q>. Dat laatste akkoord leidt volgens de kwintencirkel naar <q>DM<\/q>:<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-6793\" src=\"https:\/\/www.krammer.nl\/blog\/wp-content\/uploads\/Hallelujah-Reharmoniseren-techniek-3.svg\" alt=\"\" width=\"402\" height=\"162\" \/><\/p>\n<p><!-------------------------- TECHNIEK 4 --------------------------><\/p>\n<h4><tt>4<\/tt> Verder gaan in de kwintencirkel<\/h4>\n<p>Het akkoord <q>B@<\/q> is vervangen door <q>G7<\/q>, want die harmonie komt in de kwintencirkel na <q>DM<\/q>:<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-6796\" src=\"https:\/\/www.krammer.nl\/blog\/wp-content\/uploads\/Hallelujah-Reharmoniseren-techniek-4B.svg\" alt=\"\" width=\"404\" height=\"169\" \/><\/p>\n<p><!-------------------------- TECHNIEK 5 --------------------------><\/p>\n<h4><tt>5<\/tt> Een akkoord vervangen door twee akkoorden<\/h4>\n<p>Nu staan er in elke maat twee akkoorden. Het akkoord <q>F<\/q> is vervangen door <q>CM7<\/q> en <q>F7<\/q>, omdat die in de kwintencirkel beide v\u00f3\u00f3r <q>B@<\/q> staan. Het akkoord <q>DM<\/q> is vervangen door <q>DM<\/q> en <q>F7<\/q>, omdat die laatste harmonie leidt naar <q>B@<\/q>. Aan het eind is <q>GM7<\/q> ingevoegd, omdat die weer leidt naar het volgende akkoord <q>C<\/q>. Door de snellere wisselingen in de harmonie\u00ebn, krijgt het nummer een stuwender karakter:<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-6797\" src=\"https:\/\/www.krammer.nl\/blog\/wp-content\/uploads\/Hallelujah-Reharmoniseren-techniek-5.svg\" alt=\"\" width=\"400\" height=\"166\" \/><\/p>\n<p><!-------------------------- TECHNIEK 6 --------------------------><\/p>\n<h4><tt>6<\/tt> Triotonusvervanging<\/h4>\n<p>In de originele harmonie\u00ebn leidt <q>A7<\/q> naar <q>DM<\/q>. In dit geval is <q>A7<\/q> vervangen door hetzelfde akkoord met de basnoot een tritonus verschoven <q>A7\/D@<\/q>:<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-6799\" src=\"https:\/\/www.krammer.nl\/blog\/wp-content\/uploads\/Hallelujah-Reharmoniseren-techniek-6-1.svg\" alt=\"\" width=\"401\" height=\"163\" \/><\/p>\n<p><!-------------------------- COMBINEREN --------------------------><\/p>\n<h4>Technieken combineren<\/h4>\n<p>In de laatste maat zijn de technieken 1, 2 en 5 gecombineerd. Het akkoord <q>C<\/q> heeft de toevoegingen <q>7<\/q> en <q>9<\/q> gekregen, de terts is een <q>sus4<\/q> geworden \u00e9n in de maat zijn twee harmonie\u00ebn verschenen:<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-6801\" src=\"https:\/\/www.krammer.nl\/blog\/wp-content\/uploads\/Hallelujah-Reharmoniseren-gecombineerde-technieken-2.svg\" alt=\"\" width=\"401\" height=\"188\" \/><\/p>\n<p>In het volgende voorbeeld komt een aantal tritonusvervangingen voor. In de tweede maat is <q>B@<\/q> vervangen door <q>G7<\/q> en daar is dan weer een tritonusvervanging op toegepast en in de maten daarna is iets soortgelijks gedaan:<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-6802\" src=\"https:\/\/www.krammer.nl\/blog\/wp-content\/uploads\/Hallelujah-Reharmoniseren-gecombineerde-technieken.svg\" alt=\"\" width=\"401\" height=\"315\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.krammer.nl\/blog\/wp-content\/uploads\/Slingers-346.jpg\" alt=\"Slingers-346\" width=\"150\" height=\"150\" class=\"alignleft size-full wp-image-2329\" srcset=\"https:\/\/www.krammer.nl\/blog\/wp-content\/uploads\/Slingers-346.jpg 346w, https:\/\/www.krammer.nl\/blog\/wp-content\/uploads\/Slingers-346-150x150.jpg 150w, https:\/\/www.krammer.nl\/blog\/wp-content\/uploads\/Slingers-346-300x300.jpg 300w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/>Een hele tijd geleden heb ik een bericht geplaatst over reharmonisatie. Dat is het kiezen van alternatieve akkoorden bij het arrangeren van een nummer. In dit bericht laat ik zien hoe je reharmonisatie toe kunt passen op <i>Hallelujah<\/i> van Leonard Cohen.<\/p>\n<p>In het vorige bericht besprak ik zes technieken. Die zes passen we nu ook toe.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[52,50],"tags":[],"class_list":["post-2304","post","type-post","status-publish","format-standard","hentry","category-4-pianospel-en-harmonie","category-8-arrangeren"],"_links":{"self":[{"href":"https:\/\/www.krammer.nl\/blog\/wp-json\/wp\/v2\/posts\/2304","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.krammer.nl\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.krammer.nl\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.krammer.nl\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.krammer.nl\/blog\/wp-json\/wp\/v2\/comments?post=2304"}],"version-history":[{"count":29,"href":"https:\/\/www.krammer.nl\/blog\/wp-json\/wp\/v2\/posts\/2304\/revisions"}],"predecessor-version":[{"id":6803,"href":"https:\/\/www.krammer.nl\/blog\/wp-json\/wp\/v2\/posts\/2304\/revisions\/6803"}],"wp:attachment":[{"href":"https:\/\/www.krammer.nl\/blog\/wp-json\/wp\/v2\/media?parent=2304"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.krammer.nl\/blog\/wp-json\/wp\/v2\/categories?post=2304"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.krammer.nl\/blog\/wp-json\/wp\/v2\/tags?post=2304"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}