{"id":2635,"date":"2016-03-26T22:02:04","date_gmt":"2016-03-26T21:02:04","guid":{"rendered":"http:\/\/www.krammer.nl\/blog\/?p=2635"},"modified":"2021-05-01T23:37:35","modified_gmt":"2021-05-01T21:37:35","slug":"de-sus4","status":"publish","type":"post","link":"https:\/\/www.krammer.nl\/blog\/de-sus4\/","title":{"rendered":"De sus4"},"content":{"rendered":"

\"\"De sus4 is een alteratie, waarbij de terts verhoogd is. Bijvoorbeeld, in \"Csus4\" is de terts e<\/i> omhoog gegaan naar f<\/i>. In de klassieke harmonieleer hoort zo’n toon omlaag op te lossen naar de terts. En in veel lichte muziek zal dat eveneens gebeuren.<\/p>\n

De term sus<\/i> is een afkorting voor suspended<\/i>, wat uitgesteld<\/i> betekent. De aanduiding sus4<\/i> betekent dus uitgestelde 4<\/i>. Oftewel, de sus4 is een verhoogde terts die naar beneden ‘wil’ oplossen.<\/p>\n

Er is iets raars met deze benaming sus4<\/i>. Het gaat namelijk niet om een uitgestelde kwart, maar om een uitgestelde terts. De naam sus3<\/i> zou juister zijn, of eenvoudigweg 4<\/i>. Maar wat dat betreft is het met de taal van akkoordsymbolen net zoals in een gesproken taal. Soms ontstaan er rare gebruiken.<\/p>\n

Als er ooit een standaard komt voor het schrijven van akkoorden, zou ik de aanduiding 4<\/i> adviseren. Het is kort en je kunt hem niet verwarren met andere alteraties of toevoegingen.<\/p>\n","protected":false},"excerpt":{"rendered":"

\"\"De sus4 is een alteratie, waarbij de terts een secunde omhoog is gegaan naar de kwart. Bijvoorbeeld, in \"Csus4\" is de terts e<\/i> verhoogd naar f<\/i>. In de klassieke harmonieleer hoort deze toon omlaag op te lossen naar de terts. En in jazz en pop zal dat ook ook vaak gebeuren. (Hoewel in sommige stijlen de \"sus4\" niet hoeft op te lossen.)<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[52],"tags":[],"class_list":["post-2635","post","type-post","status-publish","format-standard","hentry","category-4-pianospel-en-harmonie"],"_links":{"self":[{"href":"https:\/\/www.krammer.nl\/blog\/wp-json\/wp\/v2\/posts\/2635","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.krammer.nl\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.krammer.nl\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.krammer.nl\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.krammer.nl\/blog\/wp-json\/wp\/v2\/comments?post=2635"}],"version-history":[{"count":23,"href":"https:\/\/www.krammer.nl\/blog\/wp-json\/wp\/v2\/posts\/2635\/revisions"}],"predecessor-version":[{"id":6960,"href":"https:\/\/www.krammer.nl\/blog\/wp-json\/wp\/v2\/posts\/2635\/revisions\/6960"}],"wp:attachment":[{"href":"https:\/\/www.krammer.nl\/blog\/wp-json\/wp\/v2\/media?parent=2635"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.krammer.nl\/blog\/wp-json\/wp\/v2\/categories?post=2635"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.krammer.nl\/blog\/wp-json\/wp\/v2\/tags?post=2635"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}