{"id":2635,"date":"2016-03-26T22:02:04","date_gmt":"2016-03-26T21:02:04","guid":{"rendered":"http:\/\/www.krammer.nl\/blog\/?p=2635"},"modified":"2021-05-01T23:37:35","modified_gmt":"2021-05-01T21:37:35","slug":"de-sus4","status":"publish","type":"post","link":"https:\/\/www.krammer.nl\/blog\/de-sus4\/","title":{"rendered":"De sus4"},"content":{"rendered":"

\"\"De sus4 is een alteratie, waarbij de terts verhoogd is. Bijvoorbeeld, in Csus4<\/q> is de terts e<\/i> omhoog gegaan naar f<\/i>. In de klassieke harmonieleer hoort zo’n toon omlaag op te lossen naar de terts. En in veel lichte muziek zal dat eveneens gebeuren.<\/p>\n

De term sus<\/i> is een afkorting voor suspended<\/i>, wat uitgesteld<\/i> betekent. De aanduiding sus4<\/i> betekent dus uitgestelde 4<\/i>. Oftewel, de sus4 is een verhoogde terts die naar beneden ‘wil’ oplossen.<\/p>\n

Er is iets raars met deze benaming sus4<\/i>. Het gaat namelijk niet om een uitgestelde kwart, maar om een uitgestelde terts. De naam sus3<\/i> zou juister zijn, of eenvoudigweg 4<\/i>. Maar wat dat betreft is het met de taal van akkoordsymbolen net zoals in een gesproken taal. Soms ontstaan er rare gebruiken.<\/p>\n

Als er ooit een standaard komt voor het schrijven van akkoorden, zou ik de aanduiding 4<\/i> adviseren. Het is kort en je kunt hem niet verwarren met andere alteraties of toevoegingen.<\/p>\n","protected":false},"excerpt":{"rendered":"

\"\"De sus4 is een alteratie, waarbij de terts een secunde omhoog is gegaan naar de kwart. Bijvoorbeeld, in Csus4<\/q> is de terts e<\/i> verhoogd naar f<\/i>. In de klassieke harmonieleer hoort deze toon omlaag op te lossen naar de terts. En in jazz en pop zal dat ook ook vaak gebeuren. (Hoewel in sommige stijlen de sus4<\/q> niet hoeft op te lossen.)<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[52],"tags":[],"class_list":["post-2635","post","type-post","status-publish","format-standard","hentry","category-4-pianospel-en-harmonie"],"_links":{"self":[{"href":"https:\/\/www.krammer.nl\/blog\/wp-json\/wp\/v2\/posts\/2635","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.krammer.nl\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.krammer.nl\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.krammer.nl\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.krammer.nl\/blog\/wp-json\/wp\/v2\/comments?post=2635"}],"version-history":[{"count":23,"href":"https:\/\/www.krammer.nl\/blog\/wp-json\/wp\/v2\/posts\/2635\/revisions"}],"predecessor-version":[{"id":6960,"href":"https:\/\/www.krammer.nl\/blog\/wp-json\/wp\/v2\/posts\/2635\/revisions\/6960"}],"wp:attachment":[{"href":"https:\/\/www.krammer.nl\/blog\/wp-json\/wp\/v2\/media?parent=2635"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.krammer.nl\/blog\/wp-json\/wp\/v2\/categories?post=2635"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.krammer.nl\/blog\/wp-json\/wp\/v2\/tags?post=2635"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}